- Someone like you film movie#
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Richmond editor, Dana Congdon music, Rolfe Kent music supervisor, Dana Millman-DuFine production designer, Dan Leigh art director, Fredda Slavin set decorator, Christine Moosher costume designers, Ann Roth, Michelle Maitlin sound (Dolby/DTS), James J. Screenplay, Elizabeth Chandler, based on the novel "Animal Husbandry" by Laura Zigman.Ĭamera (Deluxe color), Anthony B. Richmond’s lensing makes the actors and New York City (locations are exclusively below 14th Street) look great.Ī 20th Century Fox release of a Fox 2000 Pictures presentation of a Lynda Obst production. Pushing all the prescribed buttons and displaying an alarming willingness to fall into cutesy cliches, director Tony Goldwyn exhibits little of the attentiveness to character and milieu detail that he did in his first feature, “A Walk on the Moon.” Inevitability of the plotting and lack of modulated rhythm make the 97-minute running time feel longer than it is.
Someone like you film movie#
And despite the forgettable nature of the movie itself, Jackman will further his fan base as a redeemable rake of many women’s fantasies.īy this time, Tomei has all her moves down as the best friend who’s as good at listening as she is at kvetching. Kinnear, called upon to be warmly seductive for the first half-hour and sheepishly apologetic for the remainder, delivers easily, although we never do learn why he bailed on such a great girlfriend. What Judd needs now is not more roles like the one here or in “Where the Heart Is” last year, but a good kick-butt part like the contempo equivalent of Ripley in “Alien.”
Someone like you film professional#
But there are also occasions when the two of them hang out late at night wearing only their skimpiest garb, and if there’s anyone who can’t figure out where this story is headed, they haven’t seen a movie before.Īs written in the adaptation by Elizabeth Chandler, Jane would seem to be a more neurotic, unresolved character than could possibly be played by Judd, who, no matter the part, can’t help but seem like the healthiest, best-adjusted, most confidant young woman in America.Ī tad over-groomed here for a young professional of Jane’s station, Judd tries hard to convince as an off-balance victim who lashes back with a notion she eventually admits is cockeyed, but the actress is congenitally incapable of conveying vulnerability, the trait her character most needs to embody. Of course, Jane must accustom herself to the revolving door policy for females at Eddie’s loft.
Someone like you film series#
She also begins obsessive research into her man-as-beast formulations, seizing on such factoids as how only five percent of males in the animal kingdom are monogamous and finally capitulating to the entreaties of confidante and men’s magazine editor Liz (Marisa Tomei) to write what becomes a hugely popular series of articles about the baseness of the male human animal. For Jane and, seemingly, for Ray as well, this is True Love, and Jane has already given up her Chinatown apartment and planned her move into Ray’s digs when he, for no articulated reason, lowers the boom and tells her hasta la vista, baby.Īghast and astounded, the exceedingly attractive and intelligent Jane can’t begin to comprehend why she was so unceremoniously dumped, and as a short-term solution to her housing crisis accepts Eddie’s invitation to move into his enormous two-bedroom loft. Jane’s an instant pushover for the program’s cute new exec producer, Ray (Greg Kinnear).
Someone like you film tv#
At work he’s good buddies with Jane (Ashley Judd), a talent booker for topical TV chat show host Diane Roberts (Ellen Barkin). Offering living proof of this theory is Eddie (Jackman), an effortlessly attractive young bar hopper who greatly enjoys the lack of complications attached to a here today-gone tomorrow social life.
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